Ground ZeroB&W.jpg

Larry Newcomb

IMG_567A6296+instagram.jpg

Dr. Larry Newcomb delivers exceptionally well-played and well-produced solo and ensemble guitar jazz that relaxes, refreshes and restores. Larry’s mission is to comfort, inspire and entertain during these stressful and uncertain current times, and beyond. For example, Larry's “SATURDAY AFTERNOON JAZZ — Covid Comfort & Beyond” Concert Series, which streamed live on Facebook every Saturday afternoon at 2:30pm (EST) for 66 weeks during the pandemic attracted a growing legion of fans.

According to Bill Milkowski, jazz critic for Downbeat, Jazziz and Absolute Sound, Newcomb is “a seasoned jazz veteran with a warm, appealing tone and an expansive harmonic vocabulary.” Please see Mr. Milkowski’s Liner Notes for Larry’s newest CD release “LOVE, DAD” dedicated to his three sons. Newcomb’s June 5, 2017 release, “LIVING TRIBUTE”, continues to receive abundant national airplay and enthusiastic reviews. His album “LIVE Intentionally!” earned a four-star review in Downbeat and was voted One of the “Best New Albums of 2015”.

Newcomb enthusiastically teaches guitar students of all ages, experience levels, and stylistic preferences at The Larry Newcomb Jazz Guitar Method and Jazz Harmony Studies based in Gainesville, FL. The guitarist also presents jazz education Concert-Lectures including the very popular What Makes it Jazz! at schools, libraries and colleges and in New York and Florida.

Larry has contributed a wealth of electric & acoustic guitar stylings both as a soloist, and on gigs with Bucky Pizzarelli, Jack Wilkins, his own Larry Newcomb Duo/Trio/Quartet, with Ray Blue, Joe Vincent Tranchina, Joe Donato, Welson Tremura, Howard Wapner, Cathy DeWitt, Dave Marsh, Thomas Royal and his son Jake Newcomb. Newcomb has performed at many New York City venues including The Kitano, The Iridium, Small’s, Garage, 55 Bar, Fat Cat, Columbia University, The Flatotel, Cleopatra’s Needle, Our Lady of Pompeii School and Corpus Christi School. Florida venues include Leonardo’s 706, University of Florida, Alachua County Public Library District and Walt Disney World. Newcomb was lead guitarist in the touring bands of hitmakers including Peter Noone (Herman of the Hermits), Leslie Gore, Lou Christie, Billy J. Kramer, Tommy Cash, Darlene Austin, Tom Grant, and Jimmy Payne. Larry’s musical influences include: Bucky Pizzarelli, Jim Hall, Joe Pass, Grant Green, Wes Montgomery, Pat Martino, Lester Young, Stan Getz, The Beatles, Eric Clapton, Duane Allman, Albert King, B. B. King, Freddie King and Ian Anderson.

He has studied with jazz guitar masters Bucky Pizzarelli, Pat Martino, Jack Wilkins, Howard Roberts and Mark Elf. Larry studied classical guitar under Bruce Holzmann at Florida State University and composition with Dr. Budd Udell at the University of Florida. Newcomb studied jazz improvisation with saxophonist Bob Mover in New York City. Larry’s proficient performing and teaching styles are informed by Masters and PhD degrees in Music from the University of Florida and an accomplished master’s understanding of the jazz and blues idioms and their histories.

Inquiries for guitar studies can be made via the contact page.

 
newyorknight2.jpg

Press

 

Quotes

“A seasoned jazz veteran with a warm, appealing tone and an expansive harmonic vocabulary, guitarist Larry Newcomb showcases his straight ahead pedigree on Love, Dad, his third recording as a leader. Accompanied by brilliant pianist Thomas Royal, in-demand drummer Dave Marsh and the guitarist’s son Jake Newcomb on bass, Newcomb and his stellar crew stake out some new musical territory in the wake of his 2017 outing, Living Tribute, featuring the late jazz guitar icon Bucky Pizzarelli, and 2015’s LIVE Intentionally!, which received a four-star review in Downbeat. “

Bill Milkowski, contributor to Downbeat, Jazziz and Absolute Sound

“Larry is a master guitarist–and a life-long student and teacher of the instrument.”

Bucky Pizzarelli, Legendary Jazz Guitarist

“The album title (LIVE Intentionally! ), by the way, refers not to a club date, but to Newcomb’s intention to record live in the studio, without the “safety net” of overdubs, for maximum spontaneity in real time. He’s succeeded.”

Jon Garelick, Downbeat, December 2015 Four-Star Review

 

“Everyone involved makes the familiar sound brand new.  That’s especially true of the leader with this fluid attack and varied phrasing.”

Jon Garelick, Downbeat, January 2016 Selected One of Best New Albums of 2015

“As one of Larry’s jazz guitar pals Gene Bertoncini, says, ‘Larry’s melodic lines are strong and on the money!”… you won’t have any quibble with that assessment when you listen to one of the funkiest guitar-led tracks I’ve heard (yet) in 2017, “Gold Top” (it’s only 3:20, but it cooks)!”

Dick Metcalf, editor, Contemporary Fusion Reviews -July 8, 2017

“He [Larry] is a complete master of his instrument, and the result is an album that is incredibly easy to listen to.”

Kev Rowland -- 2017-06-08 Jazz Archives

 

“Newcomb captivates with his beautiful tone, single note lines and carefully placed chords with his swinging backing band . . .” 

Jazz & Blues Report, July-August 2017

“Larry Newcomb’s quartet is, as they say, “in the pocket.  We need more records like this.” 

George Fendel,  JSO Jazz Scene

“ This is a cavalcade of chops on another order…wondrous investment in the notes played…not speed, not angularity, not washed-out orchestrations but a perfection in choosing the exact right fret along with perfect inflection imbued with a genuine love for music and the guitar. Larry Newcomb, in other words, was born for this.”

Mark S. Tucker, -- Provocateur, Hector, Meta-anarchist

“The original material is so strong that it fits right in with classics by Kern and Hammerstein, Rodgers and Hart, and even Charlie Parker.  There is a great rhythm to the album, and even the solos flow organically from the main structure.   This music just makes me feel good.” 

Michael Doherty, Michael’s Music Blog

“The original compositions rival the standards rendered by this savvy, inventive group. Newcomb’s arrangements color every track with a depth of jazz harmonies and progressions that sometimes surprise, but always delight. The band’s solid, sophisticated musicality is all there and more impressive, considering that the album was recorded in a studio, but essentially, intentionally LIVE! and without the mixing magic that studios can do.”

New Yorker (Amazon Reviewer)